top of page
螢幕截圖 2024-02-04 03.38_edited.png
401618996091_.pic.jpg

THIS IS MY TESTIMONY​

Black Warrior Review, 2021







THERE IS STILL SINGING IN THE AFTERLIFE
Glass: A Journal of Poetry, 2020
Nominated for a Pushcart Prize


TO RED DUST (II)
The Common, 2020 
The Poetry Society of America's George Bogin Memorial Award


TO RED DUST (I)
Tupelo Quarterly, 2020 
The Best of TQ: An Anthology of Multi-Disciplinary Texts in Conversation, 2023 

Four Quartets: Poetry in the Pandemic, honorable mention
Cosmonauts Avenue Nonfiction Prize shortlist, 2019



THERE THEY ARE
The Florida Review, 
2020 
The Poetry Society of America's Cecil Hemley Memorial Prize (finalist), 2020



IN AMERICA, YOU ARE ASKED WHY ARE LEAVES GREEN?
Black Warrior Review, 2020
Nominated for a Pushcart Prize



AGAINST THIS EARTH, WE KNOCK
Epiphany, 2020 


THE REVOLUTION IS NOT A DINNER PARTY
Southern Humanities Review, 2020 
Auburn Witness Poetry Prize (
honorable mention)


TO YOUR BROTHER, WHO IS WITHOUT NAME 
TO HER BROTHER, WHO IS WITHOUT NAME 
NEW YEAR’S WITH MY ABORTED SISTER

Hobart, 2020 


MY MOTHER RENAMES HERSELF WINTER BLOSSOM

THE ORACLE
The Margins, 2020


THE MOTHER
Sporklet, 2020



SHOWING MY MOTHER A CENSORED FILM SHE CANNOT UNSEE, IN THREE ACTS
The Scores , 2020



TO A RESILIENT NEW YORK: NOTES FROM QUARANTINE
An interdependent poem with Jen Lue, Yanyi, The Highline New York, 2020

Anthologized in Grantmakers In the Arts  


RIGHT BEFORE SUMMER'S ARRIVAL
Mantis, 2020



DAYS OF HOURLESS MOTHERS 
Flypaper Lit, 2020 



NIGHT PEOPLE 
The Margins: Transpacific Literary Project, 2019



MY FATHER CUT MY TONGUE TO SAY...(six estranged sonnets)
Women's Studies Quarterly: Asian Diasporas, 2019



THE TRACTOR
Nasty Women Poets: An Unapologetic Anthology of Subversive Verse
Lost Horse Press, 2018







SELECT CRITICISM


MEMORIES SILENCED, UNSPOOL: 
Anocha Suwichakornpong’s By the Time it Gets Dark

Millenium Film Journal, 2019



"Lawrence Lek: NEPENTHE VALLEY"

​On NFTs, Taschen, 2023

bottom of page